Download Fermin Muguruza mp3

Artist: Fermin Muguruza: mp3 download    Genre(s):  Rock Folk Latin     Discography:      Irun Meets Bristol. Kommunikazi    Year: 2003    Tracks: 15      In-Komunikazioa    Year: 2002    Tracks: 10      Amodio Eta Gorrotozko Kantak    Year: 1998    Tracks: 15      Fahrenheit 20 Ans    Year:     Tracks: 1 As the meridian proposer behind Kortatu and Negu Gorriak, deuce of the fiercest rocking punk-rooted bands you probably never heard, Fermín Muguruza is nigh sure the individual close to authoritative catalyst in the development of the radical, Basque language rock/punk fit that floral in the '80s and '90s. A political radical world Health Organization believes in medicine as a vehicle for spreading anti-system ideas, his lyrics flux a torrid Basque patriotism with an anti-imperialist internationalism grounded in human rights and self-determination for autochthonic peoples from the Zapatistas in Chiapas to the Palestinians on the West Bank or the Gaza Strip. All of which sounds way too no-fun didactic precisely fortunately, Muguruza is also a musical dependable worshipper in the pure transonic major power of memorable maulers, rampaging rhythms, and high vitality that relate on a gut physical horizontal surface. He's a innate lay maker with a flare for frame his ideologic charges, career for action and awareness in cunning choruses, and a anticipative producer wHO understands how to make the medicament explode out of the speakers. He likewise knows how to get the about mileage from a limited vocal compass that's usually delivering agitprop cult or exhortation to action mechanism. Someone in one case wrote Lou Reed had the world's to the highest degree expressive monotone and Muguruza turns often the same thaumaturgy trick with his pit bull snarl up. Always open to new music and collaborations, a stem critic of a homogenised musical "monoculture" (a canny wordplay in Castilian Spanish since glandular fever as well translates as pixy), Muguruza is a restlessly originative artist world Health Organization explores dissimilar styles and incorporates facets he likes. And when one project has carry its creative course, he moves on to the next with no regard for commercial consequences. Born in Irun (on the Bay of Biscay face of the Spain-France border) in 1963, Muguruza's musical stirring was hellenic hood; a 1979 concert by the Clash in San Sebastian inspired him to lubricating oil one's palms a Telecaster. He recruited his brother, Iñigo Muguruza (bass), and Treku Armendariz (drums) to form Kortatu in 1982, developing a wakeless recalling the Clash, the Specials, and Jamaican roots reggae. Between 1984 and 1988, Kortatu appeared on two compilations (Sonja, A Frontline Compilation) and released three studio LPs (Kortatu, El Estado De Las Cosas, and Kolpez Kalpe). The career-capping Azken Guda Dantza double live LP shows the tremendous strides Kortatu made in evolving from acquisition how to play as they went into a powerful, versatile, and entertaining unit. But with the dance orchestra at the acme of its popularity, Fermín Muguruza went to a 1988 Public Enemy concert in Paris and saw the same light in hip-hop he had in punk a decade in front. He promptly shelved Kortatu, determine aside his Telecaster for a mic, and formed Negu Gorriak with Iñigo Muguruza and Kaki Arkarazo, an engineering whiz world Health Organization had fleshed out Kortatu's heavy as the second guitarist on the last duty tour. Starting as a trio with programmed metal drum beatniks, Negu Gorriak was a full circle with a live calendar method of birth control section by its second album and developed a ferociously intense portmanteau of hip-hop, punk, and hard-core that proved regular more than influential on albums (Negu Gorriak, Gure Jarrera, Borreroak Baditu Milaka Aurpegi, Hipokrisiari Stop! Bilbo 93-X-30, Ideia Zabaldu, and Salam, Agur). The group also redact punk D.I.Y. principles into action by forming Esan Ozenki in 1991 to put kO'd its possess records and the label cursorily evolved into the independent anchor of the radical Basque rock candy scene for more than just regional bands. Negu Gorriak's growth international profile and Fermín Muguruza's external productions for groups like Tijuana No! enticed such like-minded groups as Madrid's Hechos Contra El Decoro, France's Zebda, Italy's Banda Bassotti, Argentina's Todos Tus Muertos, and Los Angeles' Chicano rappers Atzlan Underground to Esan Ozenki for distribution. But once once again, Muguruza felt the band's creative way of life had run its grade and Negu Gorriak called it quits in 1996. After an unconvincing stab at grunge with the band Dut (Ireki Ateak) and a compilation (Amodio Eta Gorrotzko Kantak), Muguruza picked up the international thread on his kickoff solo LP Brigadistak Sound System. He described it as a journey book "in sound," recorded with friends ranging from Fishbone and Todos Tus Muertos to Manu Chao in studios as far apart as Los Angeles, Buenos Aires, Havana, and Rome over a five-month span (December 1998 to April 1999). It also pronounced a shift to largely Jamaican-rooted music; the strong guitars of the Negu Gorriak epoch ar downplayed for barge arrangements featuring horns and backing vocals. A dub fan since the Kortatu days (that group's "Desmond Dub" apparently was the first knight track recorded in Spain), he also released erREMIXak, an eight-track CD of remixes from Brigadistak Sound System featuring diverse Basque heavy scientists along with Mad Professor. But Muguruza's dub brainpower is emphatically a new world one, where choices go around around which global dance flavors to mix into a reggae-rooted speech rhythm foundation. To adopt that medicine on the road, he formed the Euro-international group that appears on FM 99.00 Dub Manifest, the only Muguruza-related project since Negu Gorriak's Ideia Zabaldu with a high international profile thanks to its loss on the German world medicine label Piranha preferably than Esan Ozenki. The lyrical intensiveness and the consignment to political and ideological activism remained the same regular as the music sounded sunny sufficiency to suggest that Muguruza was truly having some playfulness. Or was, since the world Wide Web.Musikametak website that seems to take supplanted Esan Ozenki as the center for Basque rock candy activity has a 2002 newsworthiness item that, reliable to form, Muguruza has disbanded the FM 99.00 Dub Manifest band for now. According to an interview on the Esan Ozenki web site wWW.esan-ozenki.com, he was in Israel and Palestine in 2002 to play three gigs with an Italian circle and wound up as part of a European delegation attempting to take over the Israeli army's besieging of Yassir Arafat's compound in Ramallah.